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«‹December 2025›
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← 2021-10-03 2021-10-04 2021-10-05 → Today
0:00 Carnival — U2
3:53 Music
4:03 k
4:17 (unidentified song) unidentified
5:44 No, that's not the first, that's why I was having too much trouble, that's not the first page of it.
5:50 Your Latest Trick — Dire Straits
9:17 and...
9:28 We Shall Be Free — Garth Brooks
14:29 Excuse me.
14:34 So, this morning I got into a fight on Facebook with someone about them announcing that the proper thing to do when your child isn't respectful is pop them in the mouth... And now Facebook is down, which I find hilarious...
15:08 to do yeah
15:11 Tomorrow — James
24:32 All right, let's see how this one's coming.
24:40 Strangers In A Car — Marc Cohen
27:33 Again, a little bit more time on that, and hopefully it'll be a little bit better. All right, here we go.
27:59 Piano Man — Billy Joel
31:50 Whew! Still needs some work but, uh, it's getting there. Which reminds me...
32:09 New York State Of Mind — Billy Joel
37:01 Again, get in there and...
37:10 And yeah, I've been doing this one because ...
37:13 It's good practice.
37:16 When Love Comes To Town — U2
51:00 All right. All right. Let's see how this one goes.
51:21 (unidentified song) unidentified
55:54 It continues to need work but getting there. All right. And one more of the Billy Joel.
56:07 (unidentified song) unidentified
57:17 All right. After a brief foray to grab more batteries, yeah, let's see if we can do a little bit of work here.
58:00 (unidentified song) unidentified
59:29 Hang on.
59:33 (unidentified song) unidentified
1:05:51 Let's do that one again.
1:05:57 (unidentified song) unidentified
1:07:29 Let's try that again.
1:07:33 (unidentified song) unidentified
1:13:26 Yeah, that...
1:13:31 That's interesting that that calls for muscles I don't really have, but maybe you'll grow them, you never know.
1:13:38 Uhh...
1:13:43 (unidentified song) unidentified
1:19:59 what exactly I wanted to do with it. So I am curious whether ... You
1:20:09 (unidentified song) unidentified
1:21:05 okay let's see how
1:21:09 (unidentified song) unidentified
1:26:54 That's um, let's see, I should probably do a couple ...
1:27:13 (unidentified song) unidentified
1:33:37 You haven't been waking anyone up, have you Remus? You been a good little boy? Yes, you are a good dog. All right, well that's probably enough for now, anyway.
0:00 All right, can you hear me? Hey, so, how are you doing? Yes, that's a common thing for me to be doing from time to time, so I had some requests after my last show for some B debugels So I've been working on adding a litt...
3:55 I Go To Extremes — Billy Joel
8:16 Yeah, I think it is really long. It seems really long. all right um let's see here um looks like my belt pack is turned all the way up the
9:06 way up but I can always nudge the preamp a little hotter that's probably a little too hot um let's see maybe about there how's that
9:17 There was a word after you said ready. I didn't get the next like word or two.
9:55 be eager to please ready to fight, why do I go to extremes?
10:04 Right, uhm...
10:12 Okay. Hang on a second. I need to figure out why... Remus, what are you... What are you so upset about? Remus! Remus? Yes. I think it probably is. It's either a squirrel or a cat. I have him down here cause Gale is still...
10:55 and there is definitely some parts where it seems super comfortable in the rain and then other parts where they seem a little more round which in thought really means a lot to me,
11:09 (unidentified song) unidentified
12:03 ha ha okay
12:15 New York State Of Mind — Billy Joel
16:30 Okay, so I think that's a really good song for your voice. yeah
16:39 I love the kind of Randy Newman feel of it.
16:42 Okay. Ok. Yes. can hear a cavalry of that vowel through kind of an end sound. So sounds like . . .
17:41 I'm in the New York state of mind
17:48 yeah, so if you do it that flex that's the thing I would like, in case it was a bit of salt like he probably doesn't do it that much yeah, no, there's no chance um
18:02 There's probably a happy meth
18:05 the the marked up world
18:15 That's what's written on the chord sheet, is that you're supposed to.
18:19 I Mean Addy Yeah
18:31 Yeah, in the last eight bars, no, 16 bars, mine is held out for the entire 16 bars. But yeah, no, I understand I need to close it. I hadn't really thought about that. That is a good observation.
18:53 Let's see, and so the first two bars it's not that hard, because it's only held out for, for like two, or the first two, the first two verses, it's only held up for like four bars. It's the second, the third and fourth v...
19:11 hold that out forever. I don't think it's as important when it's not the first time. Yeah. But...
19:24 And that is a valid...
19:27 yeah okay let me yeah let let me just Let me just try it a couple of times.
20:02 I'm in a New York state of mind. That I though was pretty good.
20:22 I think the soft broAddie is better. So, I'll turn around and look at my face for a second. Mine. Do not tho. I'm in New York. I made a battered sound. Mine, myeind. I'm sorry, do it with your mouth one more time. Mine.
20:47 I wanted to see what your tongue was doing. Which, I got. I got from that third...
20:52 Okay, yeah, mine, mine.
20:58 Yeah, it's subtle. It's subtle but mind...
21:02 so you just take the air away from the air. So it doesn't do. Biiiiind. Miiind. Miiiiind. Yeah, there we go. Yeah.
21:16 New York State Of Mind — Billy Joel
25:08 I think that was better
25:20 and I'm still somewhat impressed with myself that I can play that at all I mean, a year ago I would not have been able to do that it- it really moves around it- it is fun I mean, it's definitely one of those ones that yo...
25:56 Alright. Yes. Yeah. Um, yeah, well... Oh, that's fun. Interesting. He had his in all three iterations, it's just a matter of, you know, did you keep it or give it up for adoption? So he keeps splitting. So it's like ten ...
28:12 I'm guessing I know the person who requested, I know, has been a Billy Joel fan for a long time. It was the last time I went and saw him in concert was interesting, because, it's gotten to where, when you go to a Billy J...
28:45 Since you bought.
28:50 Piano Man — Billy Joel
32:36 Keep the tempo a little bit, right?
32:42 Um, I tend to I mean my my stylistic choice is usually fast
32:48 Hahaha
32:58 It's stylistically me. But was it intelligible? Could you underst-
33:04 understand the words umm.. okay. um.. okay. apparently
33:25 Apparently, whoever did this chord chart did not notice that, because if it's... It does say walla-wah.
33:34 It really sounds weird because, I'm still hearing...
33:41 Let me see However Yeah, yeah about that works, too
33:58 Okay, I will Investigate that
34:56 Ballad of Billy the Kid — Billy Joel
36:35 I'm gonna interrupt you just because it really sounds like you're pushing your voice right now. Is it because you're tired, because you already did that typing, you know, earlier? No, I think what's going on there is...
36:53 What's going on there is I'm clipping I am deep into the red I can see I'm in the orange just Speaking and so you're hearing distortion because of that So what I probably need to do is turn the keys down So it can bring ...
37:11 and
37:14 (unidentified song) unidentified
38:16 Yeah, I got distracted there Alright All right, all right
38:33 Ballad of Billy the Kid — Billy Joel
39:46 🎶
39:49 Yeah, I just- And just...
40:08 I just realized that I was adjusting my mix, not yours um is that better vocal to piano by balance
40:16 Yeah,...
40:48 Ballad of Billy the Kid — Billy Joel
43:29 And dinner.
43:43 Yeah, I really need to remember that you and I are not hearing the same thing.
43:47 It gets done in those modern mixings.
43:52 ...then it gets to where you almost need a degree and something to operate it. It does a lot of cool stuff. I have 12 different submixes, all of which can be routed all sorts of places.
44:10 Oh well, all right, well, um, yes except next
44:35 Monday, I will be in Southern California upgrading database servers.
44:40 Wonder if we should just Yep, all right. Thanks. Bye